Anupama Alias Anil
-
Interlaced Journeys, 2025
-
Interlaced Journeys II, 2025
-
Interlaced Journeys III, 2025
-
Interlaced Journeys IV, 2025
-
Interlaced Journeys V, 2025
-
Interlaced Journeys VI, 2025
-
Interlaced Journeys VII, 2025
-
Interlaced Journeys VIII, 2025
-
Masked Realities V, 2025
-
Masked Realities VI, 2025
-
Masked Realities VII, 2025
-
Memory of Memories, 2025
-
Memory of Memories, 2025
-
Memory of Memories, 2025
-
The Script of Memory II, 2025
-
Untitled, 2025
-
Untitled Walk Series, 2025
-
Untitled Walk Series II, 2025
-
Witness of Embers, 2025
-
Infinite Realities, 2024
-
Infinite Realities, 2024
-
Infinite Realities, 2024
-
Infinite Realities, 2024
-
Infinite Realities, 2024
-
Infinite Realities, 2024
-
The Fire of Dissolution, 2024
-
The Fire of Dissolution, 2024
-
The Fire of Dissolution, 2024
-
The Fire of Dissolution, 2024
-
The Fire of Dissolution, 2024
-
The Uncertain Realities, 2024
-
The Uncertain Realities of Red, 2024
-
Untitled, 2024
-
Untitled, 2024
-
Untitled, 2024
-
Witness of Embers, 2024
-
Uncertain Realities, 2023
-
Untitled, 2023
-
Island of Hope, 2021
-
Island of Hope II, 2021
-
Hidden Meaning of the Last Meal, 2019
-
Untitled, 2018
-
Untitled, 2018
-
Untitled, 2018
-
Space in the revelation
Anupama Alias Anil (b.1990) focuses on depicting women at a transitional and vulnerable time in their lives: not the adolescent years that have been the focus of her works in the past few years, but the other transitional, in-between years: the ‘middle’ years. In a macro-metaphor, her work focuses on people, transitions, identity, and the ‘in-betweenness’ of existence. Anupama tries to unravel the implied desires and fluctuations of identity that womanhood has thrust upon her. The idea is to not just focus on the universality of womanhood but get to the essence of being a girl first, and a woman later. The intriguing reason behind how Eve was made from Adam’s rib became the genesis of her work, whereby she began exploring human anatomy. The rib cage becomes the spine of Anupama’s works, which has allowed her to examine other body parts, something that helped her embark on a metaphysical journey of self-discovery.
She completed her BFA and MFA in Applied Art from Govt. RLV College, Thripunithura, Kochi, in 2011 and 2014, respectively. She also completed an MFA in Painting from S N School of Arts and Communication, University of Hyderabad (2016). Anupama was part of the Rizq Art Initiative Residency program in Abu Dhabi (2024); recipient of the ‘Art For Hope’ Grant by Hyundai Motor India Foundation (2021); the Sankara Menon Memorial Gold Medal, Lalithakala Akademi, Kerala (2016); the Special Mention Award by Kerala Lalithakala Akademi (2018); a Diamond Jubilee Fellowship from the Department of Cultural Affairs, Kerala (2019); and the Young Artist’s Scholarship, Ministry of Culture, Govt. of India (2012).
Her recent participations include Delhi Contemporary Art Week with LATITUDE 28, Bikaner House, New Delhi (2024- 2021); ‘Inscapes in search of a place’ curated by Premjish Achari, by LATITUDE 28 at Bikaner House, New Delhi (2023); ‘Parallel realities’ group exhibition in Gallery Ekami at Kannur, Kerala (2023); ‘Fabular Futures’, with LATITUDE 28 at Shridharani Gallery, Triveni Kala Sangam (2022); India Art Fair with LATITUDE 28, New Delhi (2022, 2019); ‘Art For Hope’ by Hyundai Motor India Foundation at Bikaner House, New Delhi (2022);‘Yuva Sumbhava’ by Raza Foundation at Bikaner House, New Delhi (2022);‘Lokame Tharavadu (The World is One Family)’ curated by Bose Krishnamachari, Kochi Biennale Foundation (2021); ‘Between the Lines’ Tribute to Manoj Nair, Gallery 27, Fort Cochin, Kerala (2020); ‘A Page in the Book of My Life’, Pullman in association with LATITUDE 28, New Delhi (2019); HT Imagine Festival (LATITUDE 28, New Delhi, 2019); India Art Fair 2019 with LATITUDE 28, New Delhi (2019); and ‘Babur ki Gai’, co-curated by Bhavna Kakar and Adwait Singh, LATITUDE 28, New Delhi (2018).