Origin Story 2.0: Curated by Satyajit Dave
-
Adarsh Baji, Voyage of the stick -
Ankon Mitra, Chess Board -
Ankon Mitra, Buddha's Pari-Nirvana -
Ankon Mitra, Vishnu : Vishwa - Roopa
-
Ankon Mitra, Cloud Maps-for full Installation -
Ankon Mitra, Cosmic Jain Map -
Ankon Mitra, Mapped Columns-1950’s Times of India map - Bombay from malabar hills -
Ankon Mitra, Mapped Columns-1950’s Times of India map - Bombay from malabar hills
-
Ankon Mitra, Mapped Columns-Harper’s Weekly Chandni Chowk -
Ankon Mitra, Mapped Columns-Illustrated London News -
Ankon Mitra, Pinwheel Maps Series 1-3 -
Ankon Mitra, Re-Imagined Globes-Kususama Dodecahedron Antique World map 1689
-
Ankon Mitra, Re-Imagined Globes-Stellated Dodecahedron Star World map 1880 -
Ansh Kumar, Said in Red -
Ansh Kumar, Untitled -
Ansh Kumar, On a High Horse
-
Bishal Bauri, Automatism, 2024 -
Bolgum Sai Aditya, Silent Signals, 2026 -
Himanshu Jamod, I Believe, I Think -
Himanshu Jamod, Retrieve
-
Himanshu Jamod, Seedbed 7 -
Jayesh Sachdev, Cosmic Elephant Sculpture -
Jayesh Sachdev, Time Travelling Kite (Utopia Dystopia Series Painting) -
Jignesh Panchal, Paradise of Orient I, 2025
-
Jignesh Panchal, Paradise of Orient III -
Jignesh Panchal, Paradise of Orient VI, 2025 -
K Sudheesh, Anjilora - Twilight Glow, 2025 -
K Sudheesh, Anjilora - Twilight Glow-2, 2025
-
K Sudheesh, Anjilora - Narcissus, 2025 -
K Sudheesh, Anjilora - The Letter of Time, 2025 -
Kandula Sandeep, Untitled, 2025 -
Keerti Pooja, Notes on Fragility (Set of Seven)
-
Krupali Kathiriya, All Eyes on You -
Krupali Kathiriya, S1 (Series) -
Krupali Kathiriya, S2 -
Krupali Kathiriya, S3
-
Krupali Kathiriya, Untitled -
Om Soorya, Centre of Centre is somewhere else 2 -
P.K.P Alekya, Just in Case, 2025 -
Priyanka Aelay, Although The Wind, 2023
-
Priyanka Aelay, And, we really want to Live - I -
Priyanka Aelay, And, we really want to Live - II -
R Balasubramanian, Untitled, NA -
Rachana Badrakia, The Garden of Marigold, 2024
-
Radhika Kacha, A Glorious Storm, 2023 -
Radhika Kacha, The Gloam, 2024 -
Radhika Kacha, Untitled -
Rajnish Chhanesh, My Life My World 2
-
Rajnish Chhanesh, My Life My World 4 -
Rajnish Chhanesh, Untitled-IV -
Ramu Das, Untitled -
Roy K John, Untitled
-
S D Hari Prasad, Morf 3 -
Sandipan Paul, Alienated Angst Ridden Twenty Five Year Old, 2025 -
Sandipan Paul, Will it Rain?, 2024 -
Sanjoy Patra, Untitled (Set of 70-80 Pieces)
-
Satadru Sovan Banduri, Echoes of the Vanished-V, 2024 -
Satadru Sovan Banduri, Gaia's Bleeding Script, 2021 -
Satadru Sovan Banduri, Song of See -
Shailesh Mohan Ojha, Flatness, 2024
-
Subir Kumar Mondal, Our Culture -
Subir Kumar Mondal, Traditional Heritage -
Subir Kumar Mondal, Traditional Heritage -
Subir Kumar Mondal, Traditional Heritage
-
Sumit Sarkar, Crossing the Gateway of Stories, 2022 -
Sumit Sarkar, Journey, 2019 -
Sumit Sarkar, The Red Coils, 2017-2018 -
Suneel Mamadapur, The Spectacle's Masquerade, 2023
-
Suneel Mamadapur, Child of deaf adults, 2023 -
Suneel Mamadapur, Sugar is not innocent, 2023 -
Suvradeep Samanta, Untitled -
Suvradeep Samanta, Untitled
-
Suvradeep Samanta, Untitled -
Tanmay Santra, Garden II, 2022 -
Tanmay Santra, Garden III, 2023 -
Tanmay Santra, Garden IV, 2023
-
Tanmay Santra, Soundscape - III (Accordion Book), 2023-24 -
Tanmay Santra, Soundscape-I, 2020 -
Tanmay Santra, Soundscape-II -
Tapas Biswas, Untitled, NA
ORIGIN STORIES: From Civilisational Memory to Technological Futures
Origin Stories traces the evolution of human creativity from the earliest gestures of civilization to contemporary art, digital culture, and speculative futures. Rather than treating origins as a single event lost in antiquity, the exhibition approaches origins as what philosopher Paul Ricoeur described as a “continuum of meaning,” a persistent narrative structure through which societies interpret themselves. Origins become dialogic rather than chronological, a shifting interplay between material memory, cultural inheritance, and technological imagination.
The exhibition is structured across interlinked chapters that reflect what Aby Warburg called a “pathosformel,” a recurring emotional and cultural imprint that survives across time and geography. Craft, tools, numismatics, and early systems of measurement and governance are presented as foundational technologies that shaped social organisation long before the rise of modernity. Contemporary artworks reactivate these inheritances and recode them for the present, resonating with Homi Bhabha’s notion of “reiteration,” in which the past returns in altered and disruptive forms within contemporary culture.
Through this layering of historical and speculative lenses, Origin Stories becomes a conversation between hand and machine, archive and algorithm, memory and imagination, in the spirit of Donna Haraway’s insistence that origins must be read through both biological and technological genealogies.
-
Craft as Technology, Technology as Origin
-
Tools, Machines and The Human Leap
-
Value, Order and the Invention of Systems
-
Myth, Memory and the Fabric of Identity
-
Revision, Recovery and the Contemporary Archive
-
Digital Origins: Code, Algorithms and Posthuman Tools
-
Futures: Speculation, Mutation and the Next Origin Stories
By bringing ancient craft into dialogue with speculative technology, the exhibition presents a long and interconnected arc of human creativity. Every act of creation becomes the beginning of another world.
The exhibition closes with the idea that origins are cyclical and relational.
Craft leads to technology, and technology redirects us back to craft.
Memory feeds innovation, and innovation reshapes memory.
-Satyajit Dave
-
Trace the evolution of human creativity at this exciting art exhibition in New Delhi
Architect and Interiors IndiaArchitect and Interiors India, 26 January 2026 -
10 new art shows in India we’re excited about this January
Vogue IndiaAvantika Shankar, Vogue India, 7 January 2026 -
Inside New Delhi’s Most Compelling Art Exhibitions This January
GoodHomes IndiaVanita Arora, GoodHomes India, 7 January 2026 -
Kalakriti Art Gallery Presents “Origin Story 2.0” in New Delhi
Abir PothiAthmaja Biju, Abir Pothi, 5 January 2026

